Creative Commons

Share, reuse, and remix — legally.

Tue, 09 Mar 2010 14:20:44 +0000

Film Annex


CC BY-SA by Film Annex

Last October, Film Annex, “an online film distribution platform and Web Television Network,” launched CC license support, enabling filmmakers to release their films under one of our licenses.

Since then, the number of CC-licensed films on the site has grown, with each license having its own Web TV channel (CC BY and CC BY-NC for example). They even have a channel dedicated to the public domain. All of these “Web TV” channels are available under the terms of said license for you to share or remix.

Creative Commons has its own channel where we’ve uploaded some of our videos. We wanted to learn more about how Film Annex helps filmmakers make money on their CC licensed content, so we caught up with Eren and Francesco, pictured above, to pick their brains.

How is Film Annex different from other online film distribution platforms?

In terms of profitability – Unlike most film distribution platforms that host videos on their main platforms only, Film Annex creates free Web TVs for filmmakers who want to present their work under specific domain names. This way, Film Annex creates a brand out of the filmmaker’s name, company, or project and reduces the implementation of the forward-slash (/) mentality as seen on Vimeo, YouTube, and other similar platforms. For example, for the acclaimed director Abel Ferrara, Film Annex created www.AbelFerraraTV.com. There is a monthly 50/50 revenue share on every Web TV so the filmmakers can maintain a regular income through showing their films on their Film Annex Web TVs. Statistics show that Film Annex shares 6 to 9 times more revenues with its content providers compared to YouTube.

In addition to its Web TV Network, Film Annex offers filmmakers all of its tools and technology for free on its main platform, www.filmannex.com. There’s no cost for registering to Film Annex, and all common video formats are accepted for uploads. Upon signing up to Film Annex, content providers get the option to sell their films for a price of their choice and/or stream them for free. Filmmakers receive 100% of the sales revenues on their films.

In terms of flexibility – Film Annex does not take any copyrights from content providers, and therefore allows them to maintain complete control and freedom over their content at all times. Film Annex’s online contract is non-exclusive, so content providers can share their films and videos on other platforms as well. In addition, Film Annex gives the content providers the flexibility to add to and remove content from its platform any time. Most importantly, Film Annex offers its content providers the option to choose from different Creative Commons licenses when they upload their films on its platform. This means, in addition to the standard “All Rights Reserved” license, Film Annex offers CC licenses to filmmakers, such as Attribution, Attribution Share-Alike, etc. with the intention to make Film Annex a more open and collaborative platform and encourage the sharing and remixing of content for the creation of better and more interesting collaborative work.

Why does Film Annex support Creative Commons?

Film Annex supports Creative Commons, because we believe that the usage of CC licenses can cause a significant increase in the creation and sharing of content on the web. The standard “All rights reserved” license, though protects the copyright owner, prevents content providers from sharing their work with others in an “open” way. An “All rights reserved” license restricts content to being viewed only, whereas CC licensed content can be shared, remixed, and reused in a safe, legal way. This encourages productivity and further creation/distribution of content among filmmakers who start finding it more comfortable to collaborate with other content creators and share their work freely on the Internet.

How can filmmakers make money by using CC licenses on Film Annex?

Filmmakers who have CC licensed films on Film Annex can get their own free Film Annex Web TVs, where they will get paid 50% of the generated advertising revenues every month. Moreover, Film Annex gives filmmakers the option to syndicate their Web TV players on third-party websites (including their own), where they will receive an additional 33% of the advertising revenues. Filmmakers can also earn money by participating in Film Annex’s online film contest, the War of Films.

What is the War of Films and how does it work?

The War of Films is a monthly online film contest to help filmmakers with the promotion and advertising of their films by increasing their interaction with their fans, followers, and the film community at large. The film that gets the highest number of votes on Film Annex’s platform at the end of the month is the winner of the $1000 cash award. Film Annex also rewards the most active voter with $100 (US, Canada and UK) or $25 (other countries) at the end of each day. Viewers can vote once a day for or against a film to support the filmmakers of their choice. The total number of votes will be visible to all viewers at all times, and the films with the highest number of votes will be featured on Film Annex’s homepage.

Any exciting new developments in the works?

From March 5th through the 15th, Film Annex will be at the Miami International Film Festival as an official sponsor and to conduct interviews with the filmmakers and industry professionals attending the festival. Film Annex will also do further festival coverage, such as red carpet events, opening and closing night screenings, award ceremonies, etc.

Film Annex has recently updated its Web TV layout to make it more user-friendly and easier to navigate. From now on, every Web TV will have its own community section so that the filmmakers can create a fan base around their content.  Viewers will also be able to comment on films on the Web TVs, message each other, etc.

Film Annex is in the pre-production period for ‘Red Notice,’ a web series, inspired by Dante’s Inferno and INTERPOL stories, that will involve the participation of actors and production teams from around the world.  We have opened up the auditions to candidates both in and outside the United States who will be uploading their audition videos on www.RedNoticeTV.com.


Mon, 08 Mar 2010 22:03:30 +0000

Creative Commons at CiviCon 2010

Creative Commons depends on a lot of free software to scale our activities on the web. One of the most important pieces is CiviCRM which we use to manage our contributions and contacts. CiviCRM has been on an amazing trajectory since we first started using it in 2006: new releases continue to bring functionality our users ask for, and the developers and community have been great to work with.

If you’re a CiviCRM user, or looking for a CRM/Donor Management package for your organization, you should attend the first ever CiviCon, taking place April 22 in San Francisco. I’m very proud that Creative Commons is taking part in the event: Nathan Kinkade will be presenting on our work to streamline the contribution process, and I’ll be presenting the opening plenary session.

Register here for CiviCon — I hope to see you next month!


Sat, 06 Mar 2010 18:26:57 +0000

Creative Commons and Open Educational Resources in the U.S. National Education Technology Plan

The United States Department of Education 2010 National Educational Technology Plan (pdf) includes the following:

Open Educational Resources (OER) are an important element of an infrastructure for learning. OER come in forms ranging from podcasts to digital libraries to textbooks, games, and courses. They are freely available to anyone over the web.

Educational organizations started making selected educational materials freely available shortly after the appearance of the web in the mid-1900s. But MIT’s decision to launch the OpenCourseWare (OCW) initiative to make the core content from all its courses available online in 2000 gave the OER movement a credible start (Smith, 2009). Other universities joined the OCW Consortium, and today there are more than 200 members, each of which has agreed to make at least 10 courses available in open form.

Many of these materials are available not just to individuals enrolled in courses, but to anyone who wants to use them. The power of OER is demonstrated by the fact that nearly half the downloads of MIT’s OpenCourseWare are by individual self-directed learners, not students taking courses for credit (Maxwell, online presentation for the NETP Technical Working Group, 2009).

Equally important to the OER movement was the emergence of the Creative Commons, an organization that developed a set of easy-to-use licenses whereby individuals or institutions could maintain ownership of their creative products while giving others selected rights. These rights range from allowing use of a work in its existing form for noncommercial purposes to the right to repurpose, remix, and redistribute for any purpose.

Additional advances in our understanding of how to design good OER are coming out of the work of the Open Learning Initiative (OLI) at Carnegie Mellon University. OLI has been developing state-of-the-art, high-quality online learning environments that are implemented as part of courses taught not only at Carnegie Mellon, but also at other universities and at community colleges. The OLI learning systems are submitted to rigorous ongoing evaluation and refinement as part of each implementation. (For more information on OLI, see the Assessment section of this plan.)

The Department of Education has a role in stimulating the development and use of OER in ways that address pressing education issues. The federal government has proposed to invest $50 million per year for the next 10 years in creating an Online Skills Lab to develop exemplary next-generation instructional tools and resources for community colleges and workforce development programs. These materials will be available for use or adaptation with the least restrictive Creative Commons license. This work is expected to give further impetus to calls for open standards, system utilities, and competency-based assessments. (For more information on the Online Skills Lab, see the Learning section of this plan.)

The OER movement begun in higher education should be more fully adopted throughout our K-16 public education system. For example, high-quality digital textbooks for standard courses such as algebra can be created by experts and funded by consortia arrangements and then made freely available as a public good. Open textbooks could significantly reduce the cost of education in primary and secondary as well as higher education. Textbooks constitute a significant portion of the government’s K-12 budget as well as the student-borne cost of higher education.

Also see the plan’s sidebar on the California Free Digital Textbook Initiative, the first phase of which has been dominated (15 of 16) by CC licensed textbooks.

The plan also directly demonstrates effective reuse — it includes and properly attributes two CC-licensed illustrations.

Congratulations to the U.S. Department of Education and the OER movement!

Addendum: See open education pioneer David Wiley’s reaction to a speech by U.S. Secretary of Education Arne Duncan given the day before the National Education Technology Plan’s publication. Wiley highlights OER’s role as infrastructure for education innovation. Those aren’t just buzzwords — read Wiley’s post.


Fri, 05 Mar 2010 19:19:42 +0000

ccNewsletter January-March 2010: update from CEO Joi Ito

CEO Joi Ito gives an update on how Creative Commons has hit the ground running in 2010, with big plans for expanding our efforts in education and open educational resources (OER). You’ll also read about new jurisdictions, government adoption of CC licenses, how CC licenses have played a role in the Haiti earthquake relief effort, and more. Happy reading! This quarterly version of the newsletter is in beautifully-designed PDF format (download), designed for your reading pleasure by the CC Philippines team!

Subscribe to receive our monthly e-news updates and quarterly PDF newsletters by email, and stay on top of the inspiring stories coming out of the Commons.


Fri, 05 Mar 2010 07:10:00 +0000

2010 Summer Internships


Photo by tibchris, licensed CC BY 2.0

Creative Commons is once again seeking bright, enthusiastic students to work at the San Francisco office for ten weeks this summer. Students have the opportunity to work with CC staff and international volunteers on various real-time projects. Assigned tasks and projects will vary depending on interns’ skill & experience, as well as organization needs. If you are a currently enrolled student (College, Graduate levels, or somewhere in between) interested in applying, please read the descriptions carefully and follow the instructions below.

In addition to contributing to real-time work projects, interns will be invited to participate in external meetings, staff meetings, inter-organization competitions & discussions, and potential evening events. Staff will encourage interns to also self-organize visits to local organizations, and to find ways to connect with various community members.

Eligibility

  • Internships are open to students enrolled across the spectrum of disciplines;
  • Internships are open to students at different levels of academic study including undergraduate, graduate and PhD. programs.
  • Internships are open to international students who are eligible to work abroad from an accredited university and/or through a third-party work-study program.

Internship terms

  • The internship will last for ten weeks from June 7 to August 13.
  • The internships are full-time, temporary positions.
  • Applicants should plan on spending the summer in San Francisco.
  • Please also be ready to assist with general office tasks in addition to focused projects.

Compensation

Creative Commons offers a stipend of $4,000, if not otherwise covered by grant funding. If your school offers a stipend for work-study or internships, this factor is figured into the compensation.
This stipend may not be sufficient to cover living expenses in the bay area. No other benefits are provided. Interns must make their own housing, insurance, and transportation arrangements.

Internships Available

Technology Internship
This internship position will focus on aiding the Chief Technology Officer and Software Engineers with the development of software and maintenance of services. Knowledge of Linux, PHP, and Python is a must. Prefer applicants who have contributed to open source projects.

Legal Internships
These internships, geared towards law students who have completed their second year of study, will focus on intellectual property and copyright as relates to creative works shared on the internet. Applicants should have completed their second year of study at a top tier law school, two courses on intellectual property, including fundamentals of copyright, and provide ideally have significant interest in and experience with IP, including experience at a law firm or other legal organization. Interns may be asked to provide a writing sample on a topic chosen by CC.

Graphic Design and Media Development Internship
This internship will be geared toward second or third year design students. The design intern will work closely with the Creative Commons senior designer and development team to create and improve online assets, with possible promotional and marketing material development. Must have Photoshop, Illustrator, HTML and CSS skills. Javascript and UI/UX design experience is encouraged. Prefer applicants who are interested in open source or free culture issues. Please include portfolio with application.

How to apply

If you are a college or graduate student interested in our internship program, please send us your:

  • Cover Letter explaining your interest in Creative Commons, in the position, and any other relevant experience not covered in your resumé.
  • Resumé
  • Two References: Please include email and phone number.
  • Indicate open source or other CC/open licensed projects to which you have contributed.
  • Indicate which position(s) you are interested in applying.
  • Design students: Please include portfolio.

Applications and questions can be sent to:

Jennifer Yip
Operations Director
jennifer[at]creativecommons.org
fax: 415.278.9419

The application deadline for Summer 2010 is 11:59 p.m. PST, Friday, March 26, 2010.

Thank you for your interest in our organization. Please NO phone calls.


Thu, 04 Mar 2010 17:28:48 +0000

The Open Course Library Project

cable green
Copyright and related rights waived via CC0

Late last year, I caught wind of an initiative that was being funded by the Gates Foundation—it had to do with redesigning the top 80 courses of Washington State’s community college system and releasing them all under CC BY (Attribution Only). The initiative was called the Washington State Student Completion Initiative and the specific project that was dealing with redesign and CC licensing was the Open Course Library Project. I decided to find out more, so I set up a Skype date with Cable Green, the head of the project.  Below is the transcribed interview, edited for clarity and cut as much as possible for 21st century attention spans.

Tell me a little bit about who you are, where you come from, and what your role is in open education.

Sure, my name is Cable Green. I’m the eLearning Director for the Washington State Board for Community and Technical Colleges. Our system consists of 34 community and technical colleges and those colleges teach roughly 470,000 students each year. Our enrollments are growing fast in this recessionary period as people are looking to enhance their work skills and go back to college to get degrees and certificates.

A big part of what I do is to work with colleges to figure out what technologies the system needs to run online, hybrid, and web-enhanced learning environments; and to roll out needed eLearning technologies [out] system wide. The other part of what I do is to try to figure out how we can share content across our system and with the rest of the world—and, in turn, how we take the open educational resources others are sharing and use it at our 34 colleges.

We are just now launching a new project that’s funded by the [Bill and Melinda] Gates Foundation and the Washington Legislature and it’s all about doing exactly that. We’re going to take our 80 highest enrolled courses and design them to be digital, modular and open—to use very low cost instructional materials and we’ll be putting Creative Commons Attribution Only licenses on all of those courses and giving them away.

Do you want to tell me a little more about [this] Washington State Student Completion Initiative? How did that initiative come about?

The idea for it came from a two-year, system-wide discussion called the technology transformation task force… [and] out of that process came our Strategic Technology Plan. Boiled down what it says is—we need to find a way to share technologies and services better than we do today, and we need not do things 34 different ways at 34 different colleges when we’re talking about common, commodity, enterprise technology services.

And in that same report we said—hey, there’s this whole thing called Open Educational Resources (OER) going on out there in the world and we don’t know if it’s a good thing or not, but we’re not part of it right now and we know that we need to be. So the Washington Student Completion Initiative project is really our chance to engage a significant project where we can, as a system, learn about open educational resources.

The student completion initiative is a broader set of projects through the Gates Foundation, but the piece I’m working on has to do with OER, and is called the Open Course Library Project. All of the information about the project is online on a wiki. A big part of this project is for our system to figure out what it means to share our digital educational resources. What does it mean to work with publishers in new ways and get them to reconfigure their content into affordable and modular formats? What does it mean to go out and find open textbooks and evaluate them and modify them? What does it mean to understand the different types of Creative Commons licenses vs. copyright? And what do we have to understand re: the legality around how those licenses mesh or don’t mesh? And then how does that affect the final digital thing that we release at the end, and put out in Rice University’s Connexions [repository]?

We’ve been trying to be very open about the process, so we’ve got this wiki online with all the [project] information. You’ll see the project budget up there with the goals and the timeline for the project. We’ve been having town hall meetings this fall—not only going out to the colleges and meeting directly with faculty face to face, but we’ve just finished our third online town hall meeting. We use Elluminate and anybody in the world is welcome to come [to these meetings which] are archived and put up on the wiki as well. As questions [and] concerns come in, we address those and put the answers up on the wiki.

When I read the proposal it said that one of the main goals of the student completion initiative is to increase community college graduation rates and that there’s a big problem about overcoming the “tipping point.” I was wondering if you could explain more about what the tipping point is and how the OER component, the redesign and release of 81 courses under CC BY, would help achieve this goal.

The tipping point research came out of the Washington state board for community and technical colleges.  David Prince [state board staff] led the study. I don’t claim to be an expert on it, but my understanding is that the tipping point has to do with students attending college for at least one year and getting a credential, and when students get to 15 credits in their academic plan, they tend to earn more and are more likely to do well in college. So 15 credits is a tipping point for them, [and after that] they are more likely to succeed than if they don’t complete 15 credits.

With this particular project–the Open Course Library–we’re looking at increasing completion in a few ways. And [there is a bit] of experimentation here. One thing that we think might increase completion rates is to have better designed courses. The idea is if you’ve got a well designed course–[as in] the course is internally consistent, the flow is good through it, there are formative assessments and summative assessments that make sense to the students, the listed learning outcomes match the assessments, etc. –that this could help students in completing the course.

The other completion [design] piece is significantly reducing the cost of instructional materials. We’re putting cap on how much instructional materials can cost in these redesigned courses; at $30. That could be for a printed course pack, it could be for the cost of printing an open textbook; it could be that somebody’s worked with a publisher and really got them to reconfigure their business model to bring their materials under $30. The idea here is if the instructional materials are significantly less expensive, that might help students stay in school where they otherwise might have to leave school to make money. And in community and technical colleges, Washington included, that’s a common occurrence. Students will come for a quarter or more, they will take as many courses as they can afford, and when they don’t have sufficient funds to continue,  they will leave college to work and make a living. Full time tuition in our system is roughly $3,000 / year and textbook costs for a full time student are conservatively $1,000 / year. If you look at it that way, the cost of textbooks is roughly 25% of a student’s cost of attending our colleges; that’s significant. So a big part of this project is to try and take a lot of those costs out of the system. We think that will not only improve participation rates, so more people will have the opportunity to come to college in the first place, but we think we might just improve completion rates as well.

Other than cost, is there any other incentive to using open educational resources for students and instructors? You mentioned becoming part of the global OER movement beforehand.

Absolutely. Let me start with the students. The students are primarily concerned about cost. We have a student legislative academy in our system, and these students are very active; they’re very organized. They get together annually and firm up their legislative platform, and then they go and testify in front of the legislature, and often work with the legislators to write bills. Their number one issue for two years running now has been textbook affordability. The students are aware that there are open textbooks out there, that there are ways to use open educational resources to build affordable course packs, and they are aware of this project–the Open Course Library project–and they are eager for it to be done so some of their highest enrolled courses might have required instructional materials under $30. The students are also very concerned about quality, obviously. Nobody wants low quality educational resources, and that’s primarily the faculty members’ concern as well, as it should be. Again, that’s part of the project–to help faculty go out and learn about open educational resources, and for them to engage their disciplines re: OER, to find out what’s out there, and then the faculty will decide what is high quality and what they want to use in their courses.

So–from the students’ point of view, it’s really about cost. There are other areas why our system is interested in OER. One of them is a belief (and I’ll speak for myself) that there are a lot of challenges and problems in the world, and to the extent that data and ideas and knowledge and education can be shared openly, there are more eyes on those problems and potentially a greater chance for solution. For faculty, I think that there’s a general understanding that the academy has always been about sharing, and sharing knowledge and building off the shoulders of others that have come before us. And to the extent that that’s true about the academy, open global content provides faculty with even more choices when they’re building their learning spaces. And not only to use others’ digital content, but to share their content as well.

OER is also about building networks; when people share their digital materials, one of the things that happens is that their professional networks grow and strengthen, and that’s positive. I think that one’s particularly challenging to just tell somebody because I know I didn’t believe that until I did it. When I started to share my slides on Slideshare.net, when I started to write blogs, when I started to put my projects on wikis, when I put my information and my work out in the open, all sorts of new opportunities came my way. I was invited to be speaker at many conferences around our state and around the country –which is all great– but the most important thing that happened is [that] I’m now connected with people all over the world who have similar interests, who are tackling similar challenges, and that makes my professional network much stronger than it ever has been. And I’m able to use that network when I’ve got problems that I can’t solve. So for example, as we were starting the open course library wiki, I really wanted people’s feedback. We were getting a lot of feedback from inside our system, but I was interested in what the rest of the world thought as well. So I put a post up on my blog and I put it on my Twitter feed saying, “hey here’s some ideas we’re working on and if anybody has other ideas or can help us make it better, please send me an email, or reply to my blog post.” And within hours I had twenty to thirty messages from people all the way from South Africa to Fairbanks, Alaska. That’s what is so exciting about open educational resources and openness in general… it’s that we live in a globalized society and higher education is part of that global network.

Are your works online released under an open license as well?

Yes, everything I share is under a CC BY license.

So why did you choose that license and why for this initiative, too, for the 80 courses? Why did you guys decide to go with Attribution Only as opposed to the other licenses?

I had a lot of conversations about this, because in education I think the ShareAlike clause makes a lot of sense. I think, particularly in higher education, we believe that if you use somebody else’s stuff, not only should you credit them (and that’s what Attribution is about), but you should share whatever you’ve done with other people as well, and you pay it forward, as it were. And that’s my instinct, and the license that I wanted to use. But then I talked with folks at Hewlett, Gates and ccLearn, and they said, yeah, that’s what’s intuitive, but if you really are concerned about your materials being used by as many people as possible and to be modified in different ways and to be mixed with other people’s content, what you really want to do is to go with the lowest common denominator, most open license, which probably wouldn’t even be CC BY… it would probably be [in] the public domain or [dedicated to it via] CC0. But I think that the Attribution Only was a nice compromise for us. It’s important, I think, for our system to be recognized, for somebody to say “yes, this came from the Washington Community Technical Colleges”—not just for the recognition but what’s more important to me is again that network building piece. I want somebody in the Sudan to download, from the Connexions repository, our Introduction to Psychology course, and I want them to use the pieces [of the course] they want, or the whole course, and I want them to be successful. But I also want to know who those people are; I want to be in contact with them; I want their university president to send us an email and say, hey we’re using this and this part’s useful but this other part’s not–are you planning on changing it? We want those connections. And so I think the CC Attribution license is a good choice for sharing educational content.

What do you think about the more experimental projects in open education, purportedly working outside of traditional systems like the Peer 2 Peer University? …do you think that these two types, the traditional institution and projects like Peer 2 Peer University, can exist side by side? Or do you think the trend in the future of education is moving more towards one than the other?

It’s a great question, and I honestly don’t know what’s going to happen–I don’t think anyone knows what’s going to happen. What I do know is that there are some trends that are happening right now, and they may be disruptive to existing higher education models. One of the trends is cloud computing. Another is Web 2.0 participatory technologies–and bottom line on that one is that there are more opportunities to contribute, participate, [and] work with each other than ever before in human history. That’s a biggie. Another trend around educational content is the open educational resources movement.  Put these three trends together and, naturally, folks are putting their [educational] content online and are sharing.

And a new trend is emerging – when tax payers (be it federal or state money–provincial money in Canada) pay for the production of something that’s digital and educational, that’s something that should have open licensing and should be freely available to the people that paid for it. So we’re starting to see that notion come out of this current US Congress. There are bills that provide funds for open textbooks. Senator Dick Durbin dropped a bill on that idea. In Obama’s American Graduation Initiative, there is 50 million dollars for the development of open courseware; those [courses] would have open licensing. There’s another bill, the 2009 Federal Research Public Access Act, that would require that 11 U.S. government agencies make journal articles stemming from research funded by that agency to be open and freely available. So I think those are all real trends that are happening. And that they’re not something that we can ignore.

Then what gets interesting around [initiatives] like Peer 2 Peer University and University of the People and Straighterline and others like it is that those are entities that are taking all of those trends and leveraging all of those trends… and frankly, thinking outside the box in ways public higher education typically does not. And not accepting the existing structures, the existing rules, the existing business practices we’ve followed in public higher education for decades. So what’s going to happen? Are they viable entities? I don’t know. These are the early adopters, and you never know what’s going to happen with early adopters.

So Peer 2 Peer University for example–there are a lot of volunteers in that particular model that are volunteering their time because they care about it and because they want to learn, and because they enjoy building networks with people from different cultures around the world who might speak different languages and have different opinions about the seminar topic. That’s interesting. That might not be based on a financial model that we would think about in traditional terms. I think we need to listen to Clayton Christensen’s advice about disruptive innovations and technologies, and we need to understand these trends are real. We need to pay attention to what happened to the newspaper industries when the disruptive technology and business practice called Craigslist came into being and took away the advertising revenue from newspapers, or a lot of it anyway, and has driven many newspapers out of business. And it’s not like [it was] Craigslist’s intention, but it was certainly a better place to have classified advertising.

I think the trends we’ve discussed are a similar threat to existing higher education models, and if you look at what’s really protecting existing higher education models today, it’s probably two or three major things. It’s accreditation, state subsidy, and federal subsidy around financial aid programs. And I’m not saying any of those things are bad; they’re not; they’re extremely important; but what I do think will happen sooner or later: these new disruptive models–  some of them will get accreditation, and sooner or later some of these new models may do a really good job of showing student achievement and dramatically increasing completion rates. And when that happens, how will money from state and federal governments flow? I don’t have the answers to that, but I think that those are some of the questions that we need to pay attention to.

Do you have any thoughts on how you or the Washington State Board for Community and Technical Colleges would work with organizations like Creative Commons or [initiatives like] Peer 2 Peer University?

We partner with everybody. We’re staying in touch with Creative Commons now on our Open Course Library project. One of our questions is… so we design these 80 courses, we put them out in the world–[but] who’s using them? And right now there’s not a good way to know where it went. The new RDFa standards around putting an XML script on your digital materials and then (and I’m not fluent in how it works yet) somehow being able to get a report on where you stuff is and who’s using it…. I think this is crucial to this whole conversation, because a faculty member who shares her Introduction to Statistics course and [say] it’s being used in 30 countries by 10,000 students in X number of classrooms–that’s a powerful statement to make when she is up for tenure. It’s also just a powerful statement in general. And I think we, as educators, want to share, we want to make an impact, we want to make changes in people’s lives, we want to help people learn. That’s why we’re in this business. Nobody in higher education is in it to make money. If you want to make money, you go do something else. We’re in it because we care, because we want to do the right thing by students, and I think to have data that shows the impact one is having by sharing their open content is absolutely critical.

Another partnership that we’re heavily involved in now is CCCOER, the Community College Consortium for Open Educational Resources. We’ve also partnered with Carnegie Mellon University’s Open Learning Initiative. I sit on the board of CC OLI and we have an opportunity because of that to have two of our [college] faculty involved in national designs and redesigns of Carnegie Mellon’s open content.

One more example–the 2009 Open Ed Conference at the University of British Columbia this summer, which was hands down the best conference I’ve ever been to–one of the presentations I gave there was about this [open course library] project, and early ideas about it, but after I was done presenting, Texas, Florida, and California walked up and said, “So you’re really going to give away those 80 courses?” And I said, “Yeah, we really are.” California said, “Well we just got some money from a foundation to design 20 new open textbooks, and to revise some existing open textbooks. Which 20 would be useful?” And I handed them our list of 80 courses, and I said, “If you’re on any of these 80 courses, our faculty would sure like to take a look at those textbooks. I can’t guarantee we’re going to use them, but you know it would be useful to have quality textbooks out there that meet similar needs.” And Florida said, “We’re thinking about some projects like this, and rather than doing courses that you’ve created, how about we produce a different 15 or 20 courses, and then together we’d have a hundred instead of just 80.”

And Texas then chimed in, and since then, Ohio’s gotten involved in those conversations, and Connecticut, and others. And now what we’re talking as a whole group of states: “What are the top highest enrolled 50 courses in all of our states?” And so we’re all collecting that data right now and – big surprise —we all teach Intro to Statistics; we all teach Intro to Sociology; we all teach Intro to Psych… and tens of thousands of students in each. So we are producing a very simple matrix, nothing fancy, that shows those top 50 courses and shows where all the open textbooks are for those top 50 and where the open courseware is. And where the states are running open education projects–like this Open Course Library Project–we will actively reach out to each other and share information.

Here, when Washington is done with our 80 courses—please, take them, use them, here’s where they are—to be very vocal about that. And then as a consortium … and I hope that this grows to 50 states and many countries eventually … if we can really share what we’re all doing, I think we have an opportunity and tremendous power to go after grants when we find gaps in the matrix. So let’s say for example that we look at that matrix and we say, we just can’t find a really great [open] Oceanography textbook. We’ve pieced together some course packs, we have quality open courseware, but we really need a good open textbook for that course. We can’t find one; everybody’s looked. We’ve all reached out to our networks. That’s an opportunity for us to go to foundations, to the federal government, to our state governments and say, we need a couple hundred thousand dollars so we can hire the five best or ten best Oceanography professors in the United States to design and write an open Oceanography textbook. And we, this consortium, we’ve looked together, we’ve already shared learning resources, and this is something that we collectively need. I think there’s a lot of opportunity there.

All of this conversation though has to be balanced against academic freedom, and faculty’s right to choose, and faculty’s need to and desire to determine what is it that they are using in their courses. I personally don’t believe in mandating any of this stuff. I think that’s the wrong approach. I think when you do that you’re just wading into waters that are not only destructive, but frankly unnecessary. I believe that if quality materials are available, at very low or no cost with open licensing; and students know about them… that is such a persuasive argument for engaging with those materials, that, over time, people will.


Thu, 04 Mar 2010 01:14:13 +0000

Swedish Museum Historiska Museet Adopts CC Licenses


Made of glass from Vendel parish Up (SHM Invnr 7250) | Photo: Christer Åhlin SHMM | CC BY-NC-ND

Earlier this week Swedish museum Historiska Museet announced the adoption of CC licenses for their digital catalog (Google translation here). Roughly 63,500 item photographs, 1200 illustrations, and 264,500 scanned catalog cards are now released, depending upon the medium, under our Attribution-Noncommercial-No Derivative Works license or Attribution-Noncommercial-Share Alike license.

Project Manager Ulf Bodin notes that while the museum is starting out with a more restrictive license choice they hope to find ways to continue to open their catalog with less restrictions in the future. Like the Brooklyn Museum, Historiska Museet is looking at this as a first step, aiming to provide more openness as they better understand how the public will use these new resources.

To that end, author Nina Simon’s recently release, The Participatory Museum, is of related interest. Released under a CC Attribution-Share Alike license CC Attribution-NonCommercial license, the book explores ways to increase audience participation in cultural institutions to make them “more dynamic, relevant, [and] essential” destinations.


Tue, 02 Mar 2010 20:38:50 +0000

Contribute to our open database of educational projects

At Creative Commons, we are always looking for new and interesting ways to find out just how much CC licensed content is out there on the web. Our latest project, the Open Database of Educational Projects and Organizations (or ODEPO), needs your help!

In 2008, ccLearn (now fully integrated into Creative Commons core) conducted a survey of educational projects online for its report to The William and Flora Hewlett Foundation entitled “What Status for Open? An Examination of the Licensing Policies of Open Educational Organizations and Projects” (pdf). Several months later it was followed up with a data supplement (pdf) that visualized some of the findings.

The report was developed in conjunction with ODEPO, which is a Semantic MediaWiki-based database of organizations involved in providing educational content online. Currently, ODEPO includes 1147 sites affiliated with various organizations, the majority of which were provided to us back in 2008 by educational repositories involved in the creation and expansion of Open Educational Resources (OER).

We’d like to continue supporting this database to help researchers, advocates, and learners find educational projects, analyze trends in online education, and become more effective advocates for open education. We hope that increased awareness of the digital education landscape will increase communication between consumers, producers, and curators of educational content which can lead to more open practices.

How to help: Browse ODEPO. If your favorite educational project or organization is missing, incomplete, or incorrect, please log in to or create a CC wiki account and follow these instructions. Alternatively, you can simply browse to your educational project and click the “Edit this data” button on the page.

Addendum: There is now an Open Tasks tracker for ODEPO where you can find lists of pages that need more data.


Mon, 01 Mar 2010 17:18:01 +0000

Livestream of TEDxNYED this Saturday

tedxnyed

The event I blogged about in December, TEDxNYED, is happening this Saturday, March 6, in New York City. TEDxNYED is “an all-day conference dedicated to examining the intersection of education, new media, and technology.” For those of you who can’t attend, the conference will be livestreamed from 10am EST to 6pm EST at http://tedxnyed.com.

The speaker line-up includes our own Larry Lessig (founder and board member of CC), Michael Wesch (a cultural anthropologist who created those awesome YouTube videos like “Web 2.0 … The Machine is Us/ing Us”), Neeru Khosla (Co-founder of the CK12 Foundation that submitted seven open textbooks to California’s Free Digital Textbook Initiative), and David Wiley (big thinker in open education and associate professor of Instructional Psychology and Technology at BYU).

Along with Whipple Hill and others, Creative Commons is one of TEDxNYED’s sponsors, and we will be hosting a table at the event to network with conference attendees.

All TED Talks are licensed CC BY-NC-ND.


Thu, 25 Feb 2010 14:27:09 +0000

Syria

Bassel Safadi and Andre Salame; Al Aous Publishers